Karen realizes a performance in a public space with the daughters of violence collective.

Still from Now That We Are Together

Protagonists gather to talk about the death threats and other violences on social networks that have arisen after they decided to denounce their harassers.

Production still from Now That We Are Together

The protagonists of the film talk about the appropriation of public space in the Civil Association Habitajes-Cohabita

Diana participates in a performance against sexual street harassment in the centre of Mexico City.

Juanita is interviewed by her daughter Patricia Balderas at her home

Fany with her face painted with a feminist symbol shouts out at a protest

Fernanda waits to board a collective taxi to get home at night.

A mother carries her daughter on her shoulders during a protest against women violence on November 25, 2017.

Patricia Balderas photographs a protest against women violence, in Mexico City.

Two five-year-old girls enjoy their time together sitting on a park bench.

Matilde shares her stories of street sexual harassment with the crew at her home.

The protagonists took a photograph at the end of the workshop session at the civil association Habitajes-Cohabita

A group of women succeed in installing the anti-monument sculpture in front of the Palacio de Bellas Artes

A mother marches with her two daughters across one of the most important avenues in Mexico City.

Matilde and Fany march and shout together at the April 24, 2016 march.

Diana explains to her daughter Sarabi why it is important to protest

A group of women participate in a drink and drew activity after the international women's day march.

Patricia Balderas, Director of the movie is clapping in front of the boom michrophone held by Claudia Ruiz Capdevielle, Coeditor an sonidist

A group of women carry the sculpture that will be an anitominument in Mexico City.

Fernanda waits in front of a local store for a collective cab at night.

Hundreds of women protest after three women, two of them minors, were raped by police officers, by painting walls and breaking glass at the Glorieta de los Insurgentes, a landmark in Mexico City located in front of the Secretariat of social Security. In the picture we can see two young women with a banner that says "I exist because I resist".

In a black and white picture, Patricia Balderas is smiling after being noticed that her first film was selected in Morelia International Film Festival.

Directed & Produced by	Patricia Balderas Castro
Co-Produced by	Claudia Ruiz Capdevielle
Impact Produced by	Merle Iliná